(1831 - 1901) was a Polish painter and professor. Born in Warsaw, Gerson enrolled at the Warsaw Fine Arts Academy and graduated with honorable mention and a scholarship to St. Petersburg Academy of Arts where he studied historical painting under A. T. Markov. He graduated from St. Petersburg with a silver medal and returned to Warsaw. He left for Paris in 1850 and studied under Leon Cogniet. He travelled back to Warsaw in 1858, where he would live for the rest of his life. Gerson began to teach art in his own workshop in 1865. He trained many future Polish artists such as J??zef Chełmo??ski, Leon Wycz??łkowski, Władysław Podkowi??ski, and J??zef Pankiewicz. He was made a professor for the St. Petersburg Fine Arts Academy in 1878. Gerson also worked as an architect and art critic. He is known for his paintings of patriotism, country life, and mountain landscapes. Gerson died in Warsaw, aged 70.  Related Paintings of Wojciech Gerson :. | Rest. | Kiejstut i Witold witzniami Jagielly | Sigismund the Old with Staxczyk at the Wawel Castle | Krolowa Ryksa | Lokietek pod Ojcowem |
Related Artists:
Lorenzo Ghiberti
Italian Early Renaissance Sculptor, 1378-1455
Pier Francesco Mola
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.
George Marks
fl.1876-1922